For half the money you get a better and also newer lens, which is equipped with all comforts.Īttached is a photo taken with this lens with an A7M3, with specifications: ISO100, 1/40, 70MM at f/2.8. If you are in doubt between the Sony G-Master 24-70 mm f/2.8 and Sigma ART 24-70 mm f/2.8, stop hesitating now and buy the Sigma. Nowadays a body can often compensate for this with an internal stabilizer, so in itself the problem is not that bad. Because the lens does not zoom internally, but changes length when zooming, you notice a shift in weight, so that photos at a low shutter speed (often in a dark environment) can be shaken, also because the lens itself does not have a stabilizer. All these pluses come with a negative edge, your lens is heavier than an average prime lens, but that makes sense. Because it is a 'native' lens, it is razor-sharp, has a bizarrely good focus and a fine 'focal length' and is a super bright lens due to the large aperture, so also extremely suitable in the dark. A constant aperture of 2.8 through the zoom range makes this a. The new 24-70 mm f/2.8 from Sigma offers everything, but then really everything you can expect from a 24-70 mm. 8 DG HSM OS Art is a premium workhorse zoom lens designed for the latest high megapixel DSLRs. Yet Sigma (and a range of other brands) often missed the mark in terms of focus and some small details, partly because Sony wanted to keep their software exclusive, this is different now! Sigma has always stood for affordable quality, and has always managed to match or exceed Sony in terms of sharpness, for example. Now that Sony has finally released its firmware for other developers, you see an enormous growth in quality of lenses from other parties, including Sigma. ![]() ![]() Gets 'front heavy' when zooming because it doesn't zoom internally. Autofocus is perfect, even during filming.
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